Special Ops 2: Seven days Served!

A threat to the nation, another emergency - internal and escalating and a very personal crisis in his family, Himmat Singh must handle all these three simultaneously!

When a scientist, holding the keys to all the strategic gateways, gets kidnapped and a R&AW agent killed, in different locations but around the same moment, the presence of a link between the two is quite evident to Himmat, but apprehending the criminal behind, seems a completely new ball game.

Add to this is the hunt for a fugitive banker, the man behind ruining several who believed, driving the believers now towards vengeance, caring less for further collateral damages that might follow!

Seven episodes.

Seven days to achieve his target.....

And his own problems to solve!

This can only be handled by Kay Kay Menon (as Himmat Singh) with a characteristic composure that assures but with the ruthless spontaneity of the character that frighteningly appeals. With his band of associates, both internal and foreign, Himmat Singh must fight the enemy at the gate and one outside with his own family, held at a crucial crossroad that threatens to destroy whatever preciously private he had always carefully tried to keep secured.

While Kay Kay Menon is natural in his role as Himmat Singh, so is Vinay Pathak as SI Abbas Sheikh of Delhi Police, the deceptively inconspicuous investigator in the force, radiating a supreme confidence in his enviable knack of sniffing out information from the coldest of trails. Both Pathak and Menon steal the scenes, wherever present by keeping the sequences intense while lacing them with humour, whenever the slightest of opportunities warrants. Added to this, is the chemistry, on the screen, crafted with measured elegance by Gautami Kapoor (as Saroj) with Menon, which adds drama and will surely warrant deserving credit.

With a script (Neeraj Pandey, Deepak Kingrani, Benazir Ali Fida) composed crisply for the correct touch of verbal requirement in a season, based on actions and subtle expressions primarily, the suspense is heightened by the haunting melody of Advait Nemlekar that sets the thrill triggered right from the very beginning.

However, there are a few flaws! The least of them is the not-so-surprising finale of so gripping string of episodes. Thus, the directors (Neeraj Pandey, Shivam Nair) peak their achievement in yet another brilliantly designed "Wednesday" (S2E6) but the zeal is lost in the action-primed climactic cliché of "Thursday" (S2E7) with the thrill subsiding. Again, there are instances where intuition prevails over intellect. Lacking in rationale, certain sequences might feel warily unconvincing and could disappoint the critical viewer.

But the major concern is the childish way the nuclear reactors of the country are shown to be vulnerable to threats. In a country, where nuclear power is not very well accepted by the masses owing to the fact of being unaware of the fundamentals, if a popular series like this, portrays the wrong facts, this may equally add to the deterrent views! A little insightful research could have revealed that Indian nuclear reactors are inherently safe and cannot be compromised by the imaginary way envisaged and the event of a core meltdown being thematically transformed to a catastrophic blast is a famous misconception that once again proves the inadequate awareness of the established safety practices and related technicalities that entail the restraints!

Murshid: A Matter of Mindgame

A deal for drugs is sabotaged and a chain of gory events begins. When his surviving son is held captive with his life hanging on the edge, the don returns from his self-imposed exile from a life of crime. Losing a son in a fatal accident, Murshid Pathan had vowed not to touch arms again but fate forced the retired ruler of the underworld to enter the darker arena for saving his family. But the cruel has turned crooked and so did the policy traders. These make the path ahead further difficult for the once revered don of yesteryear. With elections round the corner and henchmen of rival gangs seeking the feeblest of opportunities to strike, the father in Murshid has to strategise his each move in a desperate bid to save his kid! As time ticks in alarming monotony, all that remains to be seen is whether Murshid still had the grip of the underworld! Can he instill command on the young and fear in the heart of his rival? Will he be able to reclaim the throne that he wilfully vacated?

Watch to know for yourself, as rivalry splits the underworld and the politics for power in the series that, though, is fast paced but strangely lacks the vigour somehow! But Kay Kay Menon compensates for all the shortcomings as his mere presence is enough to steal the limelight that steers the show with a performance that greatly and critically matters!

Bambai Meri Jaan: blood in thy hands!

There is very little to be said for a series where the particulars are so carefully designed.

Brilliant direction (Shujaat Saudagar), outstanding acting (Kay Kay Menon, Kritika Kamra, Nivedita Bhattacharya, Jitin Gulati, Nihar Gite, Sumeet Vyas), fitting costume design that matches the decades depicted (Bibi Zeeba Miraie), crisp storyline (S Hussain Zaidi), impeccable cinematography (John Schmidt)!

Spanning several decades from the sixties through the seventies, the series traces the shift of power in the Mumbai underworld when a rookie, the son of a policeman, challenged the clout established by the brain of Haji, the intelligence of Mudaliar and the muscle of the Pathans. Beginning his career in the black market with occasional cons and duping customers with his sleight of hand techniques, Dara Ismail Qadri soon rose to infamy in the smuggling business, thanks to his industrious efforts, his daring gang of friends as well as dedicated siblings, a few twists of fate and his ever increasing ambition for power that ushers wealth. But, alas, the rise to glory was not without pain! Not only did he breed enemies, but he also lost the dear ones in the process! Battling all the odds as they came, the steadily rising don had, however, his own fierce ways of dealing with the crises. To the utter dismay of his father, Ismail Qadri - once an honest cop whom fate forced to serve the corrupts - the Qadri clan seemed to be devoured by the Devil. The authorities also tried to take advantage but was miserably trapped in their own game. Terror was redefined while mercy seemed to vanish. Massacres followed revenge as the D gang challenged the mafia veterans.

Based on true events of the underworld, Shujaat Saudagar directs this fast paced crime drama that unfolds a dark history of power struggle, soaked in blood, while reeking of betrayals. Fictionalizing several true incidents with alterations wherever necessary, the series rides on the thorough research of Hussain Zaidi to depict the mob bosses that ruled Bombay for decades. As to the acting, all played their characters precisely but Kay Kay Menon is superb. His portraiture of the principled policeman and when fate chose, the unwilling accomplice to crime deserves applause. The agony of the despairing father, the plight of the helpless, the desperation for the family he headed, the courage of the honest heart and the uncompromising hate towards evil - could never have been better depicted than what he did with a masterful act that deserves nothing short of a countless applause. Kritika Kamra acts as his stubborn daughter with a deceptive trait to surprise when needed. Nivedita Bhattacharya compliments him well with the demeneour of the lady torn between the the choice of standing by the person she respects and the others she loves. Jitin Gulati as the older Saadiq Qadri and Nihar Gite as his younger version, both deserves no less praise in depicting the sibling, elder to Dara but being less astute, standing tall when situation demanded, respecting the leadership of the deserving while quietly grieving at being the apparently lesser favoured individual right from his very tender age. Sumeet Vyas also highlights his short appearance as the ruthlessly calculative assassin with a contrasting sense of black humour. The bell botts generation is aptly sketched by the costume design of Bibi Zeeba while the feature of the sixties is agreeably captured in sepia tones by John Schmidt.

This gripping series is a thrilling watch that showcases, albeit fictitiously, the rise of a new generation of mafia in the city of India that the world is destined to bear for several decades to come.

Farzi: Crime pays..... but dearly!

When the system stifles the oppressed, corruption leaks! But when that blends with skill, artists emerge. Fooling the people with their sly craft, they soon become the coveted prizes for the greedy as well the police.

Sunny is a skilled artist, abandoned by his father and raised by his maternal grandfather, his beloved Nanu. Nanu also took under his umbrella, the homeless and family less Firoz, both on their early childhood. Firoz was a street boy, who befriended Sunny at the time his father abandoned him. They grew together as Nanu raised them and bonded as brothers more than as friends. Their Nanu had a small press that published a daily, a dream that Nanu pursued to revolutionise society through his writing. Alas, ideas remain but funds and well wishers dry up. That was what happened to the press and suddenly Nanu was distressed to find the press in financial crisis. Situation worsened as loans piled up while time to repay the debts ran scanty. Desperation ran high while resources were limited. But just as necessity breeds invention, need of money, this time, bred counterfeits. The artist in Sunny designed the notes while the technician in Firoz implemented them. Though the initial batch was a failure bur a quick revision soon brought fruit. Clients were found in the underworld and profit was amassed. The loan was easily repayed and the press saved.

But the tale of the twisted mind was yet to begin as money was raining in quickly. Sunny, tasting blood in the fortune amassed, wanted to continue. Clients were already in the queue, infrastructure was already built, but there was Nanu too! Any inkling of the ill practice and he will be heartbroken! But again fate played a strange twist. Nanu contracted a threatening disease of memory loss and Mansoor appeared with promises of further fortune. Mansoor was a high rolling flamboyant international kingpin of the counterfeit business. So police was obviously on his trail. But the ambitious Sunny seemed least bothered about that. Thus, as stakes ran high, so did the risks. With Firoz trying to bring sense to Sunny, police hot on the trail to trap them and Mansoor rolling the dice of life, it remains to be seen what climax the series presents.

With a slower start at the beginning that gathers pace from episode 5 onwards, the crime drama is a must watch. Not only because the drama is intense but there is a promise for a future that will be top of the class if the tone remains uncompromised in the season that must follow.

Debuting in his OTT appearance, Shahid Kapoor acts but sometimes feels a bit off the mark. Hope he proves convincing throughout in the follow ups. Amol Palekar plays his low profile part to perfection and supports the stage for the young brigade with maturity! But the best three roles are played by Bhuvan Arora, Kay Kay Menon and Vijay Sethupathi, presenting their respective portrayals to perfection. Arora plays the faithful friend with a heart, Menon is the coldly unmerciful criminal while Sethupathi sets his heart as the stubborn law enforcer with his crusade to bring down the racket he is after. But what separates them from the others are the realistic touch sprinkled with natural relief that they infuse in the characters that eases out tensions as they heighten yet keeps the perspective gripping. Raj and D K directs this action packed drama that shares a character with The Familyman, a surprising yet appropriate insert, giving the required touch of gifted espionage while winding up in a cliffhanger that promises at least another session of redemption and revenge in the coming years!

Special Ops 1.5 .... gallantry has a new name

Labelling the sequel season as The Himmat Story, this is actually prequel to the character build up of the fictitious intelligence officer, carrying out missions with his network of colleagues. The prequel connection actually traces back a young Himmat, getting suspended after his ambitious mission of catching the mastermind behind the Parliament attack fails and thus fails his theory that defied many. But he gets a call through Abbas Sheikh, his trusted aide in the Delhi police, as one of his R&AW colleagues goes rogue. Added to this is a package of sensitive materials, which are being hijacked by international syndicates for selling to the favourable bidders. Himmat is thus tasked to secure the materials and eliminate the threat of the rogue, Maninder, as well. In this, he is partnered with ex-army, Vijay Kumar, his old college buddy. As the case proceeds rapidly, so evolves the collateral complications. Treachery runs wild and Himmat loses his faith on life. Revenge drives both the good and the evil. A scary twist awaits yet the climactic finale is predictable. The style of narration followed has the disadvantage to forecast the events but still the spirit will keep the thrill gripping.

Created by Neeraj Pandey, the show is a thrilling ride of adventure blended with espionage. Every artist is outstanding in characterising the assigned portraiture. Similar in style but contrary to its predecessor, this time Abbas Sheikh and not Himmat, narrates from his perspective while being interrogated for some apprehensions regarding Himmat by Banerjee and Chadda, tasked with auditing the would be pensioners like Himmat Singh, who is on the verge of retirement. Vinay Pathak carries out the role in style and his charming gaits amplify the enjoyably merry suspense that he creates. Nothing more can be said of Kay Kay Menon but that he seemed to be crafted for the role of Himmat. His apparently unemotional attitude with the cold looks and calculated actions set the mood and drenches it with surprising emotions as he shares the screen with Gautami Kapoor as Saroj, both of whom play it from their heart to keep the moment unforgettable. Kapoor is another natural who blends into Saroj with perfection. Kali Prasad Mukherjee and Parmeet Sethi reprise respectively as D K Banerjee and Naresh Chadda as the investigative officers and breathe much needed relief as they reflect the silent admiration of the awestruck audience who will be impatient to interruptions as the heroics are revealed. Their depictions are perfect and comical expressions priceless. Aftab Shivdasani returns after a very long time and blends easily as Vijay Kumar, the only complaint that might be lodged will be, he has put up some weight.

So be ready to rock and roll in this four episode saga as you witness the various shades of a character and his essence.